“Cat Squirrel” by John J. Audubon

“Texan Lynx” by John J. Audubon

‘Common Flying Squirrel” by John J. Audubon

John J. Audubon – “Fox Squirrel”

Experimental Hip-hop: BRASS by Moor Mother and Billy Woods

BRASS – Moor Mother and Billy Woods (2020)
Backwoodz Studioz (USA)
Hip-hop/Experimental

1. Furies
2. The Blues Remembers Everything The Country Forgot feat. Wolf Weston (of Saint Mela)
3. Maroons feat. Imani Robinson & Amirtha Kidambi
4. Rapunzal
5. Arkeology feat. ELUCID
6. Blak Forrest feat. Fielded
7. Gang for A Day feat. Franklin James Fisher
8. Mom’s Gold
9. Chimney feat. Mach Hommy
10. Rock Cried
11. Scary Hours feat. John Forte
12. Guinness
13. Tiberius feat. ELUCID
14. Giraffe Hunts
15. Portrait feat. Navy Blue

From bandcamp:
BRASS is a collaborative album from experimental musician and poet Moor Mother and the rapper billy woods (½ of Armand Hammer). After working together on Armand Hammer’s critically acclaimed 2020 LP Shrines, Moor Mother and woods released the song “Furies” for the Adult Swim single series in July. A whirl of interweaving allegories spun over producer Willie Green’s hypnotic flip of a Sons of Kmet sample, “Furies” was the burning arrow that both artists followed, the first crack of thunder in a blackening sky.

BRASS sees both artists joined by an eclectic array of friends, family, and legends- in some cases all three. John Forte, ELUCID, Amirtha Kidambi, Franklin James Fisher (Algiers), Mach Hommy, Imani Robinson, Wolf Weston (Saint Mela), Navy Blue, and Fielded all lend their voices to the project. Production by The Alchemist, Preservation, Moor Mother, Olof Melander, Child Actor, Navy Blue, Messiah Muzik, Steel Tipped Dove, and WIllie Green.

BRASS is a moment where two great artists in their own right tap into a new frequency together. Even for those familiar with both it’s an unexpected sound that, once heard, could never have been otherwise. It is both ethereal and utilitarian, timeless and timeworn. A cast-iron pot propped over a fire in the dark. A tropical beach shimmering with broken glass.

released December 18, 2020

All vocals by Moor Mother & billy woods, except where noted.
Mixed and Mastered by Willie Green @ The Greenhouse.
Chief Engineer Steel Tipped Dove.
Assistant Engineer Tevin Prince.
Executive Produced by Moor Mother & billy woods.
Art and Typography by Ashes57.
℗ & © 2020 Backwoodz Studioz. BWZ766.
All rights reserved.

Commentary:
A mammoth effort from two vanguards of the contemporary underground. Billy Woods and Moor Mother, backed up by a slew of guest vocalists and producers, created an album that is sure to be spun for decades to come. There are too many good lines and legendary parts to pluck from this bird. A must listen for music lovers.

New Fortitude, Mixed media on found objects, approx. 3″ x 30″ / 4″ x 12″, by Florence Cing-Gaai Yee (2017)
(un)written, installation detail: found photo album, embroidered felt with red thread, 5.5” x 7”, by Florence Cing-Gaai Yee (2019)
piece from Please Reply by Florence Cing-Gaai Yee
A picture of ‘Among the Sierra Nevada Mountains” by Albert Bierstadt, oil on canvas, 30″ x 40″, by Florence Cing-Gaai Yee (2016)
(un)written, installation detail: found photo album, embroidered felt with red thread, 5.5” x 7”, by Florence Cing-Gaai Yee (2019)
Driving to Saskatchewan, watercolour on paper, by Posy Legge (2020)
seven oaks, watercolour on paper, by Posy Legge (2020)
UNTITLED, Graphite, Coloured Pencil and Pentel Pen, Shuvinai Ashoona (2010)
big snow study, coloured pencil on paper, 2020
crazy train riff, gouache on paper, 2020
Tentacles, Lithograph, 57 x 66.5 cm, Shuvinai Ashoona
even the dead, gouache on paper, by Posy Legge (2020)
Untitled, Coloured pencil, ink, 49.9 x 65 cm , by Shuvinai Ashoona (2011)

Finally Getting Wings for the Forty-First Floor, 1996. 32 x 31 x 16 1/2 in., by Lonnie Holley
Him and Her Hold the Root, 1994. 45 1/2 x 73 x 30 1/2 in., by Lonnie Holley
Surviving Hunger, 1997. 27 x 13 x 9 in., by Lonnie Holley

Free Jazz: Who Sent You? by Irreversible Entanglements

Who Sent You? – Irreversible Entanglements (2020)
International Anthem (USA)
Free Jazz/Avante-Garde/Spoken Word

1. The Code Noir / Amina
2. Who Sent You – Ritual
3. No Más
4. Blues Ideology
5. Bread Out of Stone

From bandcamp:
Stay on it! This is the future! This is the spectral dreaming, the reshaped soundwaves of post-Katrina, post-Osage Avenue, post-Obamacare that we borrow from to do this work, so stay on it.

Who Sent You? they said from their liquid cryo-chamber, from a low-light induction field cobbled together with lithium rods, with melted down Romare Bearden and Howardena Pindell paintings, stitched with chaos fibers and placed in the center of the carrion husk of a burnt out shanty town. They took time to scrape ashen samples of what was, their souls the residue thick and caked on, that still climbs those new high-rise condominiums like moss—the only evidence that they were once there, that they were baked into the fabric of this planet—they were there fixing elevators and tossing wrenches into quantum fields until they were stopped! frisked! and turned into weird, 100-foot martyr murals on the backside, the north side, of supermarket walls—Who Sent You? is how the matrix modulation works.

Dig it: Who Sent You? is the punk-rocking of jazz and the mystification of the avant-garde, a sci-fi sound from that out-soul-fire jazz quintet Irreversible Entanglements. Who Sent You? they asked and tried to lock us in their distress chambers, and yet here it is: an album that functions as a heat-sealed care package for the modern Afrofuturist’s pre-flight machinations. This record weaves kinetic soul fusion, dreamy yet harrowing spectral poetry, and intricate force-field-tight rhythms into wild, warmth-giving tapestries that comfort and conceal, confront and coerce all at once, with the dark matter of the deep, black all-consuming universe as its thread.

Where the band’s self-titled debut was all explosive noisy anthems and glorious cosmic bluster, Who Sent You? is a focused and patient ritual. Irreversible Entanglements take their time in between these grooves, stalking the war-torn streets of the Deep South and post-Columbian apocalypses—taking their time to add our DNA to the centrifuge, to dream up an alchemical amalgamation that sounds truly euphoric, drenched in the epic star-flung fallout of a nova only they can conjure. More than the sum of its parts—Luke Stewart’s war-like basslines, Keir Neuringer’s haunting saxophone, Aquiles Navarro’s cyberpunk brass, the unwieldy storm of Tcheser Holmes’ drums, and the oracular phyletic incantations of Camae Ayewa—Who Sent You? is an entire holistic jam of “infinite possibilities coming back around,” a sprawling meditation for afro-cosmonauts, a reminder of the forms and traumas of the past, and the shape and vision of Afrotopian sounds to come.

released March 20, 2020

Camae Ayewa – voice, texts
Keir Neuringer – saxophone, percussion
Aquiles Navarro – trumpet, percussion
Luke Stewart – double bass, percussion
Tcheser Holmes – drums, congas

Words Composed by Camae Ayewa.
Music Composed by Keir Neuringer, Aquiles Navarro, Luke Stewart, Tcheser Holmes; except “Amina” composed by Keir Neuringer, and “No Más” composed by Aquiles Navarro.

Recorded at Kawari Studios, Philadelphia, March 1st, 2019. Mixed at Decade Studios, Chicago, October 2019. Mastered at Chicago Mastering Service, Chicago, November 2019.

Engineered by Zach Goldstein.
Recording Assisted by Steve Montenegro.
Mixed by David Allen.
Mastered by Greg Obis.

Cover Art by Damon Locks.
Insert Photo by Bob Sweeney.
Liner Notes by Alex Smith.
Layout & Insert Design by Craig Hansen.

Produced by Camae Ayewa, Keir Neuringer, Aquiles Navarro, Luke Stewart, Tcheser Holmes.
Executive Production by Scott McNiece.

Commentary:
A sonic journey unlike any other. Evenly paced yet frenetic, this soulful collection of free jazz explorations helmed by the vocals of Camae Ayewa aka Moor Mother is an amazing album. I was blown away upon first listen and the five songs quickly became my walking soundtrack. “Who Sent you — Ritual” is the stand-out track if I had to pick. Brass blazing right off the start just gets me going. Everything I love about jazz is bountiful with Irreversible Entanglements.